Private Puritan
SARAH BRUMGART Her dances remind me of experiments in which almost all the variables have been eliminated, or of a musician’s exercises or an artist’s doodles. Over the last two or three years, Brumgart has created a whole series of Silent White Dances; at MoMing she danced Silent White Dance XVII and Silent White Dance XVIII (a premiere) as well as excerpts from Silent White Dances I and XV. It was obvious, even without the lengthy question-and-answer period that followed the performance, that in each Brumgart had set herself a certain task or tasks; a program note let us know that, although each piece had a basic choreographic structure, the specific movements were improvised during each performance....