A FARM UNDER A LAKE
Women’s Project of City Lit Theater
Best of Chicago voting is live now. Vote for your favorites » The arduous structure of the script is probably unavoidable. Bergland’s narrative is largely an internal monologue by Janet Hawn (Nespor), a private-care nurse in Green Bay, Wisconsin, who volunteers to drive an elderly patient some 500 miles to see her relatives in Quincy, Illinois. Since her passenger is only marginally aware of her immediate surroundings, the long drive gives Janet plenty of time to contemplate the people, places, and events of her life: the farm in southern Illinois, her childhood home, which had to be sold; the neighboring family that bought it; their two sons, Jack, whom she married out of acquiescence to other people’s plans, and Carl, whom she loved and continues to love with a kinship bred of their love for the land; her father’s second wife, who on the eve of Janet’s wedding instructs her how to run away from husbands (“Don’t ever let it get so bad that you have to go and leave your dishes,” she intones solemnly); the displaced farmer Janet remembers only as the Cabbage Man, whose sense of humor finally fails him, with tragic results; and Carl’s wife, Shirley, who shares with Jack a frustrated desire to belong in a white-collar world–an ambition that dooms them both to being forever out of place, like “a farm under a lake....