You Re A Good Man Charlie Brown
YOU’RE A GOOD MAN, CHARLIE BROWN Best of Chicago voting is live now. Vote for your favorites » Michael Rassel’s staging offers nothing so bizarre. But this raffish, energetic, very funny production does break from tradition–by avoiding the let’s-pretend-we’re-comic-strip-characters approach this show often falls prey to. Even better, it’s free of the schlock sentimentality that has plagued Peanuts since the mid-1960s, when the strip stopped being a witty entertainment and turned into the bottom-line mass-merchandising phenomenon that has made Charles Schulz (according to Forbes magazine’s estimate) one of the ten richest men in the U....